Little Hans nightlight, 2014, nickel silver and lighting unit, edition 1 of 2 + 1 AP, 49 x 44 x 41 cm
Little Hans nightlight, 2014, nickel silver and lighting unit, edition 1 of 2 + 1 AP, 49 x 44 x 41 cm
Little Hans nightlight, 2014, nickel silver and lighting unit, edition 1 of 2 + 1 AP, 49 x 44 x 41 cm
Little Hans nightlight (detail), 2014, nickel silver and lighting unit, edition 1 of 2 + 1 AP, 49 x 44 x 41 cm
the skies will be friendlier then (installation view), Kerlin Gallery, Dublin, Ireland, Nov 2014- Jan 2015
the skies will be friendlier then, 2014, wool and mixed media, 306 x 492 cm
the skies will be friendlier then (detail), 2014, wool and mixed media, 306 x 492 cm
the skies will be friendlier then (detail), 2014, wool and mixed media, 306 x 492 cm
the ground itself is kind, black butter (foreground), 2014, black sheepskin, wax & mixed media, 224x122x190 cm, the skies will be friendlier then (installation view), Kerlin Gallery, Dublin, Ireland, Nov 2014- Jan 2015
wire mother, 2014, oil on canvas mounted on aluminium, 47 x 37 cm
song, wandering womb, 2014, oil on canvas mounted on aluminium, 47 x 61.5 cm
the ground itself is kind, black butter (foreground), 2014, black sheepskin, wax & mixed media, 224x122x190 cm, the skies will be friendlier then (installation view), Kerlin Gallery, Dublin, Ireland, Nov 2014- Jan 2015
what we know in what we see, 2014, wool, silk and mixed media, 248 x 355 cm
what we know in what we see (detail), 2014, wool, silk and mixed media, 248 x 355 cm
the ground itself is kind, black butter, 2014, black sheepskin, wax & mixed media, 224x122x190 cm
the ground itself is kind, black butter, 2014, black sheepskin, wax & mixed media, 224x122x190 cm
the ground itself is kind, black butter, 2014, black sheepskin, wax & mixed media, 224x122x190 cm
the ground itself is kind, black butter (detail), 2014, black sheepskin, wax & mixed media, 224x122x190 cm
the ground itself is kind, black butter (detail), 2014, black sheepskin, wax & mixed media, 224x122x190 cm